Something that doesn’t demand every iota of your attention, that you can just, purely and simply, enjoy. You become thirsty for something crisp, clean, refreshing, thirst-quenching, easy-drinking. That’s a wonderful thing to savor for a bit, but then your palate becomes fatigued. You can’t drink triple IPAs all day because of the ABV and because the flavors are indeed just so bold. Being a craft beer drinker is exciting, what-a-time-to-be-alive stuff.īut that kind of hullabaloo requires something to balance it out. There’s always something new to try, and there’s always some festivity or particular situation that calls for a certain craving to be filled. It’s what makes being a craft beer fan so fun and it’s what keeps us on our tores. Basically, there’s a big world of big flavors out there. Hazy, juicy New England IPAs, bright, bitter West Coast IPAs, fruit- and lactose-packed sours. And/ or, there’s yet another layer, which is exploring beer trends. Then there’s occasion-specific beer drinking: rare Belgian styles for celebrations, pastry stouts around the holidays, all things crisp and crushable for game days. ![]() We want fruity, funky sours in the summer and roasty, chocolatey stouts in the winter. “It never fails to give me some kind of extra ache as they sing the last line, ‘You’re going to reap just what you sow,’ oblivious of the icy chill suggested.You know the old saying, “Seasons change, trends come and go, but lager is forever.” Or, something like that, you get it. “It’s been sung by all manner of earnest voices, including mine and children’s choirs, since it was written in 1972,” Bono wrote. It’s his temporary redemption.Īs for the haunting refrain that Reed intones in the closing moments of the song, Bono spoke about its subversive nature in his tribute to Lou in the most recent edition of Rolling Stone. “I thought I was someone else, someone good.” With cutting simplicity, it’s clear that this day isn’t just a good time for this guy. Still, the narrator manages to snap out of his stupor to thank the one with whom he’s spending this “Perfect Day.” “You made me forget myself,” Reed sings, slivers of emotion creeping into his voice. In any case, there’s always the feeling that this idyllic day is just a tiny oasis in a dark desert. Maybe it’s the way that Reed sings the line, “It’s such fun” as if he were being lobotomized. Maybe it’s the eerie stillness that permeates the song or the dirge-like pace. Yet there’s something gently unsettling about it. Produced by David Bowie and Mick Ronson and featuring Ronson’s swirling string arrangement and piano flourishes, it really is a gorgeous track on the surface. The most obvious candidate, at least musically, would seem to be “Perfect Day”, the lush ballad that became one of Reed’s signature songs practically from the moment it appeared on his second solo album, 1972’s Transformer. ![]() But such a task was never going to be easy with Lou Reed, who passed away on October 27 at age 71, simply because Reed’s songs were always coming from way too many angles to snugly serve any single purpose. Whenever a great musician dies, it’s customary for grieving fans to look back through the body of work left behind for something movingly elegiac in an effort to say a proper goodbye.
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